Rough Guide to the Music of Russia

In my youth I enjoyed the explosion of creativity that came with Perestroika. This music predates it and contains many good quality songs, both "popular music" in the Italian style and "folk" music, both with more than enough original flavor. I don't understand enough Russian but most songs sound poetic.

The mention of Russian music always seems to conjure up cheese-ified gypsy versios of Dark Eyes or Kalinka, interminable balalaika trilling or deep-throated fur-coated renditions of the Volga Boatmen. That's probably why I've never taken an interest in this music before, but I decided to check this CD out and was in for a pleasant surprise. There is nothing Red Army or "state ensemblesque" about these selections (the Red Army stuff isn't bad, of course, just something that never appealed to me), instead we are presented with a tasty smorgasbord of Russian "bard-style" songs, both classic and contemporary, popular music hits, grass-roots Cossack folk, and a lovely airy "lite version" of the traditional balalaika ensemble. Just a note: for those looking for Russian roots or folk, this is not the CD you need. All but two or three of these tracks are either pop/rock hits (old and new) and Russian "bard" songs, whose closest North American equivalent would be something like acoustic social-commentary folkies such as Bob Dylan. In fact, the opening track artist,Vladimir Vysotsky, is considered the Russian Bob Dylan. The other bard songs are beautifully melodic and delicately sung, I really fell in love with this genre that was hitherto unknown to me. Before you run screaming from the building at the mention of Russian pop, hang on. It's actually very good! Much more than inane carbon copies of Western bands (this is not the Soviet N'Sync or anything like that!) the bands have their own stylistic twists making for pleasurable listening that's a bit out of the mainstream. Alla Pugacheva (a Russian diva in the manner of Streisand, with a much better voice) provides a hilarious fun kitschfest with "Arlekino" (Harlequin), while moving vocals from Mark Bernes recall the horrors of WWII in "Temnaya Noch" (Quiet Night). There's even great twangy sounding country track, but with an strong Russian flavor. To wrap everything up, we're treated to the lilting antics of the Terem Balalaika Quartet in a beautifully arranged version of the Diplomat Waltz. I know all this sounds a bit weird and disparate, but together it makes a seamless, satisfying whole. It certainly went far beyond my expectations, and will probably go beyond yours too. Highly recommended!

It has been more than a decade since the dramatic collapse of the Soviet Union. During this period, Western culture has swept through Russia, as places like Moscow's famous Arbat Street are now lined with McDonalds restaurants and record shops selling the latest Madonna, Eminem, and Backstreet Boys recordings. While Russia has always been known internationally as one of the leading cultural centers for opera, ballet, and classical music, most of the world has essentially ignored its folk and popular music. This compilation tries to remedy some of that. Picking 20 songs or so to represent a country the size of Russia is a daunting task. This CD presents some of the most important figures in Russian folk and popular music. Among the standout tracks is "Dialog Y Televisora" by VLADIMIR VYSOTSKY. He is widely considered the greatest of the bard singers (Russian poet-vocalists). He began his career both on stage and as a singer/composer in 1960 after he received his degree in drama. With a deep gruff voice and a unique talent that could touch the Russian heart, Vysotsky became one of the nation's most beloved singers, despite harsh government opposition. Most of his compositions were suppressed after being considered 'anti-Soviet' and 'subversive' by the Brezhnev regime. This CD also introduces the music of ALLA PUGACHEVA to the west for the first time. For her Russian audience, she is as beloved as the Beatles, yet as controversial as Madonna. This collection includes her biggest hit, ARLEKINO. When Pugacheva began performing the song, she did not just sing the song on stage, but as would become her trademark, she embodied a dramatic image of the topic of her song, in this case, a harlequin. Since then, she has always been at the center of the public spotlight, making news as often for her wild hair styles and unusual outfits as her breathtaking voice. This album also includes music from other Russian giants such as MARK BERNES, CLAVDIA SHULZHENKO, and MASHINA VREMENI. People who saw the Academy Award winning film "Moscow Does Not Believe in Tears" will recognize the touching ballads from SERGEI NIKITIN & TATIANA NIKITINA. Among the standout folk tracks are traditional Cossack melodies by ZHANNA BICHEVSKAYA as well as the Gypsy folk songs of LOYKO and GIPSY TALISMAN. This is a great introduction to the Russia's musical riches. It is the first international release for many of Russia's musical giants... and hopefully, it will open the door to allow future releases by these Russian innovators.

Kein Problem mit Produkt. The CD came in time and in good condition. So I will use this seller again.

メリーホプキンthose werw the daysが確かロシア民謡カバーだったが、あれに通ずるロシアメロディがふんだんに詰まったコンピ。インストより歌入り中心なのがいい。ほとんど90年代以降の曲と思われ、gipsy talisman - britchka名曲